Earlier posts

Earlier posts
This blog is a continuation of an older one. To explore previous posts please click the photo above.

Monday, 15 November 2021

Thruscross Reservoir

Thruscross Reservoir, in the Washburn valley north of Otley, is one of four reservoirs in the area supplying water to the city of Leeds. It was only completed in 1966, much later than the others which date back to the 19th century. In order to construct it, the village of West End had to be flooded. The ruin in my photos is an old flax mill, usually at least partially submerged. Therein lies one of the reasons, I guess, that they chose this village to sacrifice to a reservoir, since it was reliant on the the flax industry, which had substantially declined since the 19th century, as synthetic fibres took over. I understand that by the early 20th century the village was effectively a 'ghost town', as its inhabitants moved away to find work. Before flooding the valley, they cleared trees and exhumed bodies from the churchyard to rebury them elsewhere, and you can apparently still see old tree stumps and the ruins of houses and a bridge when the water level is particularly low. Normally it would come up to the line of bracken in my photo, so it was low when I was there. I couldn't really see the old village, though there looks to be some walls in the third photo. 

I didn't know much about flax, to be honest, but on looking it up it seems it is a plant grown for its seeds and fibres. From the seeds comes linseed oil, whilst linen is made from the fibres found in the stem of the plant. I don't know what this mill made, but I imagine it was a textile mill producing linen, used in bedding and clothing. Flax is also used to make rope, canvas and paper. 


 

Sunday, 14 November 2021

The season for remembrance


I had to go to Addingham on an errand, and I stopped by the church to enjoy the autumn colours around the churchyard. As I got closer I noticed the cascade of knitted poppies. This seems to be something that has taken off in recent years, sparked originally, I think, by the installation of ceramic poppies: 'Blood Swept Lands and Seas of Red', that were displayed around the Tower of London in 2014 for the centenary of the beginning of WWI.  (See HERE

Autumn to me always feels like a season of remembrance anyway, a sad and poignant time as the leaves fall and the nights draw in. Of course we continue to mark Remembrance Day in November, recalling the armistice that ended WWI. I have no close family members that were in the armed forces. It just so happens that most of my male ancestors were 'the wrong age' (thankfully!) or in protected occupations during both major World Wars, though my father did have to do 'national service' after the war ended.  

Nevertheless, it feels important to take some time to reflect on our personal and national history and the service and sacrifice of people in war, conflict and peacekeeping operations ... lest we forget.  

Saturday, 13 November 2021

Local colour

Dodging the sharp showers, I took myself for a brisk walk, armed only with my phone. The autumn colours are late and very restrained (though they do change quickly once they get started, so photos taken a week or so ago aren't necessarily representative of what it looks like now!) There was a bit of colour around the Half-Moon Café in Roberts Park and recent rain had caused the river to rise. I always quite like this glimpse of the park from the entrance to The Boathouse Inn. 

The canal towpath and the canal itself were littered with fallen leaves, though it doesn't have that 'all gold' look that it has in some years. (See HERE for a very golden year!) 

Along the river the path was still passable, despite rise in the water level due to the recent rain, though it was muddy in places. 

Perhaps the sight I enjoyed most was this pairing of trees, with different colour palettes, looking lovely against the blue sky. The taller tree behind is an elm, and I'm not sure what the one in the foreground is. I must have a closer look at it next time I pass it. 

Friday, 12 November 2021

The missing piece


Do you remember that, last time I went to RHS Harlow Carr Gardens, I showed three large sculptures by Philip Haas (see HERE). They were a series called 'The Four Seasons', based on renaissance paintings by Giuseppe Arcimboldo. I found 'Spring', 'Summer' and 'Winter' but I couldn't track down 'Autumn'. Happily, on my most recent visit, I stumbled across 'Autumn' in the woods, looking rather surprised, as if he'd just sprung out of a barrel! I still like 'Winter' the best... the sculpture anyway, if not the actual season. 

Thursday, 11 November 2021

Autumn trees


Even at RHS Harlow Carr Gardens, the autumn tree colour seemed a bit muted but I picked out these three vignettes as being worth capturing, for different reasons. I liked the angular shapes the branches made in the top photo. 

The tree below caught the light beautifully, looking like candy floss against the darkly shadowed background. 


In the third image, I liked the way the branches cascaded, shown up against the lighter trunks. 

Wednesday, 10 November 2021

My happy place

It's always lovely to introduce friends to one of my 'happy places': Harlow Carr Gardens in Harrogate. We had a gentle stroll around, enjoying some unexpected sunshine. (The rain cleared up just as we arrived.) It made for challenging conditions for photography, with strong but low sunlight. On the other hand, it illuminated the plants in an interesting way, which I've tried to capture in these images. 






Tuesday, 9 November 2021

Pep Ventosa bandstand


I keep trying a few creative things. This image of Roberts Park bandstand is based on the Pep Ventosa technique, named after the photographer who popularised this impressionistic style. It involves walking around a subject and taking multiple images, which are then combined in blended layers. His own images sometimes use hundreds of layers. Mine only uses about eight. It makes it look as though it's spinning, which may work better with a carousel. (Pep Ventosa has several carousels on his website.) There's a distinct shortage of carousels in Saltaire though, it must be said... 

Monday, 8 November 2021

Autumn comes suddenly

Just a few days after my wander through the woods in Shipley Glen, where there was little in the way of autumn colour, I went to Keighley to visit a photographic exhibition in Cliffe Castle Museum. I was surprised to see many more autumnal tones around the museum. Maybe we've had a few colder nights, or maybe it is all depending on the microclimate or the tree species. I don't know, but I enjoyed a walk round the park and took a few photos with my phone. 




 

Sunday, 7 November 2021

Sunday meditation: Water of life


Every river flows into the sea, but the sea is not yet full. The water returns 
to where the rivers began, and starts all over again.
Ecclesiastes 1:7

I will pour water on the thirsty land, and streams on the dry ground; I will pour out my 
Spirit on your offspring, and my blessing on your descendants.
Isaiah 44:3 

I can spend a long time just watching and enjoying the water flowing over the weir at Hirst Wood, studying the way it makes constantly changing patterns. Even more fun is capturing it with a slowish shutter speed to make the water appear a little soft and milky. The river's origins are shown in the slightly peaty water, giving a coffee and cream effect. Soothing and life-giving. 

I've been thinking a lot about our climate and our world, as the UN Climate Change Conference takes place in Glasgow. I'm praying that our leaders will collectively agree to bold action to save our beautiful and vital planet, for our grandchildren's sake and for their grandchildren. If we act now, perhaps it's not too late. If we don't, I think we will rue the day. 

Saturday, 6 November 2021

Wakefield's Chantry Chapel

The Chantry Chapel of St Mary is one of only five surviving bridge chapels in England. It was built between 1342 and 1356 - so it's quite a staggering age! Originally one of four in Wakefield, bridge chapels were intended to minister to the spiritual needs of travellers crossing the bridge and, as a chantry, a priest was employed to say masses for passers-by and for the souls of the wealthy benefactors who endowed it. 

What you see now is largely the result of renovations in the 1800s and again in 1939. The original richly carved medieval facade was removed and used to front a boathouse at Kettlethorpe Hall! It has fairly recently been rescued and re-erected in a Wakefield park. The chapel has, I think, a lot of charm and is now Grade 1 listed, in the care of Wakefield Cathedral. I think it is still occasionally used for worship and as a meeting room. 



 

Friday, 5 November 2021

Barbara Hepworth retrospective

The Hepworth always has some works on show by its eponym, the sculptor Barbara Hepworth, but currently has an exhibition of her work across all ten gallery spaces, to mark its tenth anniversary. It shows pieces from Hepworth's early career in the 1920s and 30s right up until her death in 1975. Some are well-known and others less so, on loan from private collections. It is well curated and well explained, and alongside the large bronzes and carved sculptures she produced in later life, and the iconic string sculptures she made in the 1940s and 50s, it includes drawings, paintings and fabric designs that are rarely seen. 

These are a few of the exhibits that I was particularly drawn to. In the photo above, I waited ages for the man in shorts (!) to move but he didn't, so there are his feet! In the end perhaps that adds something to the image... 






One of the interesting facts that endears me to the sculptor is that she continued to produce work throughout the 1930s and 40s, despite having triplets with her artist husband Ben Nicholson, as well as an older child from her previous marriage. We mums rock! 


Thursday, 4 November 2021

Wonderful windows


I find The Hepworth a visually exciting building, inside and out, as sculptural in its architecture as the exhibits it was designed to display. Inside, the large interconnecting spaces are angular and have a wonderful interplay of light and shadow. The huge plate glass windows somehow contrive to showcase the outside environment as artworks, visually arresting and intriguing. I hope my photos suggest something of the wonder of it. 


Wednesday, 3 November 2021

The Hepworth

I enjoyed a wonderful day out to The Hepworth gallery in Wakefield, named after the sculptor Barbara Hepworth, who was born and raised in the city. It was good to revisit, after almost a year. The gardens, planted two years ago and designed by Chelsea gold medal winner Tom Stuart-Smith, have now matured and the sweeps of planting with lots of rippling grasses and sculptural shapes look stunningly good against the uncompromising modernist concrete of the gallery. 


'Pitchfork (Yellow)', an eyecatching sculpture by Sir Michael Craig-Martin, and 'Turning Forms' by Barbara Hepworth are among a few exhibits in the gardens. The latter was designed as a kinetic structure, to revolve on a plinth, but apparently it no longer does so. 


 

Tuesday, 2 November 2021

Yorkshire Sharks


I just popped out for a walk in between showers on Sunday and bumped into this merry crew on the canal. It turned out that I knew one of them, though I didn't recognise him at first due to the cunning disguise. Anyway, they turned out to be the Yorkshire Sharks (toodoo doodoo doodoo doo), a Shipley-based Dragon Boat Racing Club, having a practice session. They were racing in the recent festival in Roberts Park (see HERE) - and won a trophy, I believe, though I can't find the actual results anywhere. Seems they have various teams and practice a couple of times a week - though not always in Halloween fancy dress! It looked like they were having a blast. What a great way to keep fit and have fun. 

Monday, 1 November 2021

Nightfall, Albert Terrace

Night falls on Saltaire's well-known and iconic cobbled street, Albert Terrace. Lights burn in the houses. I enjoy the different colour temperatures of the various windows, though I took care to hide the glaring (newish) LED streetlight behind the shop corner! The streetlight you can still see is one of the older lamp posts though it's rather brighter than it used to be - and a hundred times brighter than a gas lamp, which it probably once was.