
Day Two of Saltaire Arts Trail was sadly marred by awful weather, very wet all day. Happily, I had other plans so I gave it a miss. Day Three was dry, though overcast, so at least the visitors didn't get drenched and the venues didn't have to contend with dripping coats, brollies and wet shoes.
There was a Makers' Fair in the Victoria Hall, but I didn't explore that. They tend to be much the same year on year, and so much art and craft can be overwhelming, I find. I didn't want to be tempted into buying anything either and, if you're not on the lookout for a purchase, it never seems so meaningful. There seemed to be plenty of visitors though and I spotted lots of folk coming away with bags and boxes of goodies.

I was more interested in the photography exhibition in Salts Mill's roof space, which was showing work by members of Leeds Photographic Society. There were some attractive images, though mostly in the familiar style of 'camera club competition' entries. I enjoyed the landscapes and some of the creative images.
Nina Hunter, an artist, illustrator and art teacher who lives in Saltaire, opened the Saltaire Art Gallery on Victoria Road a few years ago. She also founded the Saltaire Art School. The gallery seems to have evolved and is now
'Nina Hunter Gallery and Collectors Lounge', where she shows her own work and some carefully considered collaborations with other artists. Much of her work celebrates the feminine and mythology. I like the softness and mystery that she creates, which is at the same time quite powerful.
Her current exhibition is '
Elysium' - 'a paradise of myth, imagination, and beauty... a world of paintings, embroidery, floral arrangements, and sound that celebrates the boundless possibilities of creativity.'
I loved her own painting in the window, though there were too many reflections (and writing on the window) to show it off well. I could quite happily live with that one on my wall!
In the room at the back, a sunny, yellow, expressive abstract by
Clare Ninham sat rather nicely above the Victorian fireplace.
The Gallery's basement had a series of paintings by
Oliver Walton: '
The Common Place'. Deliberately counterpointing the other exhibition, these were precise depictions of
'the poetry of everyday spaces' - the kind of subject you more often find explored through photography than paint. NOT the kind of thing I'd hang on my walls but thought-provoking nevertheless, and it was interesting to see our local environment depicted in this way.
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